Where Are You Going, Where Have You Been free essay sample

A blameless little youngster is tempted by method of her own vanity† and that â€Å"she mistakes demise for sensual romance† (419). Oates plainly characterizes her moment that Connie first finds Arnold Friend at the drive in coffee shop. She discovers Friend gazing at her with a major grin and Connie â€Å"slit her eyes at him and dismissed, however she couldn’t help looking back† (409). The way that Connie â€Å"slits† her eyes and â€Å"couldn’t help looking back† (409) shows that she is intrigued, however wouldn't like to put her actual sentiments in plain view. Her progressively sensual intrigue comes as his style and physical appearance. Oates shows this by utilizing lingual authority and symbolism; â€Å"she loved the way he dressed† and Connie seeing â€Å"the little hard muscles of his arms and shoulders† (419) when Friend First shows up at her home. Not at all like Connie, the peruser sees Arnold Friend in the entirety of his evil, we consider him to be the predator. We will compose a custom paper test on Where Are You Going, Where Have You Been or on the other hand any comparable theme explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page He shows this at the drive in by â€Å" waving his finger and laughing† and saying â€Å"Gonna get you baby† (409). Oates again utilizes painstakingly considered word decision to foresee that we could see Friend later in the story to perhaps go up against Connie in a slanderous manner. Along these lines, we can see that Connie is both tempted by method of her own vanity† and that â€Å"she mistakes demise for sexual romance† (419). Oates shows how Connie’s life can be found in two distinct lights or different sides, â€Å"everything about her had different sides to it, one for home and one for anyplace that was not home† (408). Her life at home was abnormal, Connie’s mother is envious of her magnificence and continually singing her about everything. In spite of the fact that Connie’s mother once enveloped outer magnificence, her looks had dispersed after some time.. Her mom finds in any case conceivable to contrarily remark about her, continually utilizing her more seasoned sister June for instance of how she should carry on with her life. June becomes Connie’s moms attack weapon since she isn't a danger, as depicted by Oates, June is â€Å"twenty four and still lives at home† and â€Å"so plain and chunky† (407). This took care of Connie’s certainty since she â€Å"thought her mom favored her to June since she was prettier† (409). Connie had a negative existence with a mentality, she had nobody there whom she wanted to intrigue. At the point when she was anyplace else other than her home, everything was unique, her garments, her walk, and even her chuckle. â€Å" she wore a pullover that looked one route at home and another way when she was from home† (408). It was tied in with dazzling, flaunting, and being somebody she needed to be, yet wasn’t. When Connie was out the house, doubtlessly at the shopping center or drive in cafe, her life transformed into a film, where all the truth was transformed into a fantasy. This is clear when she â€Å"goes down a back street a mile or so away† (409) with a kid named Eddie and later recollects the experience as â€Å"sweet and delicate, the manner in which it was guaranteed in motion pictures and songs† (410). Arnold Friend sees directly through Connie, for who she truly is, a truly, youthful, and shaky young lady. Connie gets all the consideration that she aches for, however the second Friend removes his glasses, she sees that he is a lot more seasoned than was recently suspected. Frenzy begins to set in when Friend and Ellie won’t go out. Companion thinks pretty much the entirety of her loved ones and where they all are. He begins to come on more grounded with each word as he states â€Å"I’m your sweetheart. You don’t know it now, yet you will† and later â€Å"I’m consistently decent from the start, the first run through. †(414). This is inferring that everything is okay now or â€Å"the first time† (414) yet is recommending something awful will happen later. As of now Connie looses every last bit of her presumptuousness and vanity and gets a rude awakening, she is done living in a fantasy, her pressure turns out to be genuine. She sees everything around her as though she’s never observed it, as outlined by Oates â€Å"The kitchen appeared as though a spot she had never observed, some room she had run inside yet which wasn’t great enough† (415). Companion never looses his self-restraint, he is quiet, practically perverted, he guarantees her he won't go into the house as long as she doesn’t get the telephone. At last, Friend undermines Connie’s family, however nothing will occur, insofar as Connie goes with him. Connie acknowledges when Friend says â€Å"The place you originated from ain’t there any longer, and where you at the top of the priority list to go is offset. (417) she won't be returning. Every last bit of her pervious vanities are stripped as she makes a liberal penance to spare the lives of her family. Oates depicts refining; â€Å"Connie is shallow, vain, senseless, and confident yet competent in any case of a startling motion of heroism† (419). Connie shocks every one of us with her gallantry, she takes her life profound and unadulterated, not shallow and vane as once considered. Significantly after her entire world comes smashing down with all of Connie’s frailties appearing, she settles on a decision that was idea unrealistic.